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Stage Magic: Crafting the Time-Turner Illusion
Creating stage magic requires both vision and precision. For the play's pivotal time-turner sequence, director John Tiffany initially envisioned a visual shift - perhaps monochrome or sepia tones evoking aged photographs. Technical constraints steered him toward bolder solutions. The illusion unfolds through layered sensory cues: whirling clock hands frame the stage, ticking intensifies into a...
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